Topic > Analysis of the film Rashomon and the filmmaking techniques used in it

Kurosawa asked the Japanese studio Daiei to direct a film for them after a scandal. For this film project Kurosawa selects the film story based on 'In a Groove' by Ryunosuke Akutogawa. With Hashimoto Shinobu, Kurosawa wanted to write the screenplay for a story about Rashomon. Since "in a Groove" story is too short for a movie, that's why Kurosawa made the movie about Rashomon. Rashomon is the first of two Kurosawa films in which Kazuo Miyagawa works with the most talented and famous of Japanese cinema. 10 years pass before they work together again on a film. The production company of this film "Daiei" was reluctant to allow Kurosawa to participate in this film project and was angry when he found out the cost for the Rashomon gate set. Daiei is so confused about the film's success until Kurosawa's next film fails. Rashomon was awarded the Oscar for Best Foreign Film. This was the film that put Japanese cinema on the map. Its impact on both Japanese cinema and cinema as a whole cannot be overstated. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get Original EssayDuring the Heian period, Rashomon is the gate, there are four gates outside the capital Kyoto to the respective cities, rashomon is one of these gate. A man takes refuge under the semi-ruined gate where he finds two other men already sitting to shelter from the rain. A priest is played by Minoru Chiaki and a woodcutter, played by Takashi Shimura. The two men were returning from testimony and the trial for the samurai's death. They had both started their flashback with the story of the third men. The type of side stories for these men is known as frame stories. The main story of Rashomon is the death of the samurai and the rape of the samurai's wife. The main point of the story is that humans have a universal weakness. Everyone lies to make themselves look better. But some, as the film shows, manage to redeem themselves. Without even wasting time, with just one shot Kurosawa begins to develop the idea for the film. The atmosphere of the film can be depicted from the first frame. The beginning of the film takes place without dialogue or characters, but through time. Since Kurosawa was a big fan of rain. When Kurosawa met his idol John Ford, the first thing he said to Kurosawa was that you really like the rain. The camera sequence is one of the funniest things in the film as the woodcutter and the priest are sitting under Rashomon's gate and trying to escape from the heavy rain so they took shelter there. Watching the rain and capturing it through different angles from the beginning. During the time of the civil war under the ruined gate outside Kyoto, a cynical farmer takes refuge under the gate where he finds a priest (Minoru Chiaki) and (Takashi Shimura) a woodcutter. Both men look disturbing as they returned from the court case of the death of the samurai and the rape of the samurai's wife by bandits and lamented the disturbing series they experienced. Most of the part of the film is a flashback or sequence from the past film. According to Wood Cutter's point of view, it shows the version of events that make up the murder plot in which it stumbles through the action, events and characters and hides the possible theft and rape. The sequence is (02:00) It contains no dialogue and is made up of sixteen shots, of which the woodcutter appears in twelve. there are two close-ups, a close-up of the present where close to the woodcutter's face as he begins to tell his story and a close-up 20, 2019.