Burton's authoritarian style has been successfully emphasized in many of his productions. In his films, he has demonstrated his ability to explore important social concerns relevant to today's audiences through the effective use of cinematic techniques. Burton's 1990 film, Edward Scissorhands, is a contemporary archetype of the gothic genre that explores themes such as the idea of ​​forced conformity, struggles as an uncaring individual, and the harsh reality of love. Overall, Burton's Edward Scissorhands succeeds in accentuating important social concerns through its sophisticated use of cinematic techniques. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an original essay Similar to other films, Edward Scissorhands revolves around the theme of love. Explore the consequences and realities of a romantic relationship. An example of a scene that shows this idea is when Edward builds an ice sculpture of an angel while Kim slowly dances with the snow next to him. Props (classified into mise-en-scene) are used to convey symbolism. Edward expresses his affection for Kim by creating an ice sculpture of an angel, a representation of her. He sees her as light and inspiration, however, due to his differences, he struggles to express his feelings and show affection. Facial expressions (characterization in staging) are used to show Kim's face of joy and amusement. As Kim dances with joy, it represents her putting aside her prejudices towards Edward and accepting him for who he is. Snow is a motif in the film, symbolizing purity and innocence and, in this scene, blissful, angelic love. Important social concerns are explored in Edward Scissorhands through Burton's effective use of cinematic techniques. Furthermore, the idea of ​​internal struggles is well established throughout the film. It explores the struggles of an indifferent individual that leads to important realizations. This idea is shown within a dialogue (diegetic sound) between Edward and Kim. "Kim: Hug me. Edward: I can't." This highlights the struggle that Edward faced as an uncaring individual. He realizes that he tends to unintentionally harm everyone and everything he cares about and is afraid of doing that to Kim. Leading Edward to resent and be unable to accept himself. This is shown again when Edward vengefully looks at his reflection in the mirror (reflective surfaces in German Expressionism) after accidentally hurting Kim when Jim alarms him. He hates and hates himself for hurting his loved ones and struggles to accept himself. This reflects on the influence the company has on an entity. The theme of conformity was evident throughout the film. It focuses on the idea of ​​forced conformity and its negative effects. Burton's demonization of suburbia was evident through a cookie-cutter pan (camera movement) of suburbia from Edward's mansion. The juxtaposition between the pastel colors of the suburbs and Edward's dark, gothic mansion exemplifies society and its inability to accept difference and non-conformity. The final long shot (camera shot) of Edward together in the garden, surrounded by nature and creativity, and space for imagination, underlines Burton's central message that society seeks to normalize difference and is too narrow-minded to let faced with those who don't. conform. And through the process of conformity, one can lose their identity and purpose. Please note: this is just one.