Topic > Analysis of the visual design in the film Edward Scissorhands

The film Edward Scissorhands, directed by Tim Burton (1990), is about a modern fairy tale, in which an inventor created an artificial man named Edward and he was not unable to finish his project due to a heart attack, which left Edward with scissors for hands. However, Edward is portrayed as a kind soul whose only desire is to be loved by Kim, who is one of the main characters, or anyone else. At the end of the film, Edward has understood his true place, which is to return alone to his master's house. Tim Burton is a creative character and often uses camera, lighting and airless color to reflect Edward as a stranger to the town but also as a neighbor. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an Original Essay At the beginning of the film, the color contrast between the suburban neighborhood and Edwards' mansion shows a big difference between the two worlds. The suburban neighborhood has vivid colors. The houses are rich in colors such as yellow, green and pink. Edwards' mansion was painted in mild shades of grey/black. This reflects a mysterious and isolated life. Color was also used to deceive people because Edward was dressed entirely in black leather with studs and buckles, which made him look bad or evil. In reality it was the opposite. Edwards was the kindest and calmest person in town, but the residents who lived under Edward wore extra bright colors and were the most judgmental and self-centered people. Another example: Peg, who is also the protagonist, enters the shadows into Edward's castle dressed in a light pink dress. This may be a sign that there is hope for bringing color into Edwards' life. The idea is explored again towards the end of the film when Kim and Edward share the same coloring as Kim is now dressed entirely in white, this reflects not only her innocence but also the bond they share as she is the only one who still believes. Edward is essentially good. As for the color aspect, I think the bright pastel colors clash with the bland grays and blacks, which gave the film a theatrical feel. Why? Because at the beginning of the film you can see the city towering, you can see this dark, evil dwelling of the entire city as some kind of burden. I think color was the central theme of the entire film. Why? Because it doesn't matter what you look like on the outside, it matters what you are on the inside, and Edward is a sweet and kind soul. Unlike the townspeople, at first glance I thought they were such kind and understanding people, but boy, did they prove me wrong. Edward's scissor-handed camera work is a wonderful representation of everyone's perception of him. The techniques of using camera angles on each character in each of his films are a way to express their differences. An example of this technique was used at the beginning of Edward Scissorhands when he used a high angle camera to make Edward look scared, weak and helpless. This type of technique shows the personality of each character in the film. Some angles used by Tim Burton are claustrophobic angles, point of view shots, close-ups and long shots to create illusions to communicate the central concepts of isolations and self-discovery, as well as enhance the underlying theme. To get more details on camera angles. At the beginning of the film, where Mrs. Avon sees Edward for the first time, the type of angle Burton uses is establishing shots, meaning it is a long shot that establishes the spatial relationships between the figures. In the film, the setting is a.