Topic > Intersecting Identities and Gender Patterns in Film

A person's existence can be “approved” when that identity has been recognized in society; and what does it mean if identities are fluid and constantly changing throughout life? Intersecting identities are a normal part of life, as long as we recognize how and why our core selves change. Gender patterns seem to me to be more complex in the sense that, as people, we have less control over others than over ourselves; for example, let's say I'm walking down the street with what I think is a very nice fake mustache and someone yells at me in indignation for doing such a reprehensible thing as a woman. I really liked that fake mustache (for many reasons only I know), however now I'm just too embarrassed to wear it – I really wish I could wear it more often... Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an original essayMerida is the main protagonist of the movie "Brave", throughout the movie and her development demonstrates the values ​​of existential feminism. Merida apparently represented a turning point for the Disney princess phenomenon. The only other princess before "Brave" to end up single, (or at least enjoy some sort of romance) was Pocahontas; therefore, Merida is the first completely unromantic princess who ultimately sets the stage for other films such as "Frozen" and "Moana". At the same time, Merida somewhat illustrated a regression for the Disney Princesses franchise: why are her goals or processes similar to those of Pocahontas, Mulan, Ariel, or Jasmine? With these seemingly different socioeconomic and cultural backgrounds that all of these characters possess, an audience member shouldn't be afraid to ask, “does this movie add anything new to the Disney Princess line? Maybe it would have been better if it wasn't part of Disney and therefore essentially not comparable? Although this is not the world we live in, so we must compare. Disney already has a combative, self-centered red-haired princess in Ariel, or a warrior archetype in Mulan, or rather, "Brave" only had a year to create a heroine before "Frozen" arrived along with Elsa and Anna . Nonetheless, Ariel will begin the trend of girls seeing themselves in a different light and creating a new role model. She was the first Disney princess to display sex appeal by wearing a bikini made of seashells. the antithesis of Belle from Beauty and the Beast. Ariel also does not submit to authority and at least wants to be her own person; she was the first to sing about wanting to be different and was curious by nature: she stopped at nothing to get what she wanted. Does this sound familiar? Like Ariel, Mulan shares the same courageous and independent nature but doesn't spend her time focusing on love. Mulan fights and loses her female identity to fight alongside men and defeat the Huns. Through this turmoil Mulan finds her self-worth and identity by stripping away everything her culture told her to be. Mulan differs from Ariel because she is not a damsel in distress because she does not need a prince to save her. Fortunately, this is where “Brave” pays homage to the power of young women who decide by choice that the capacity for human growth is up to them. But what about the kids? Language differences and gender patterns are complex, but children's films should represent them too. However, prepare to be disappointed not only by Pixar and Disney, but also by the movie “Brave” that was supposed to change the way we all gender roles. I was hoping to see the female lead stick around.!