Desmond's arguments and claims are based on the fact that there is a perceived opposition between culture and nature. Furthermore, the former is represented as a predominantly distorted relationship ingrained in many cultures in their efforts to cultivate and create an effective tourism atmosphere. This opposition goes further and negatively influences our representation and how we treat nature and its inhabitants, including marine habitats such as whales. Desmond (2013) argues that through the critical analysis of literature and their study, we can deconstruct this opposition and that this operation or rather strategy is inevitable if we want, in any case, to avoid any catastrophe of the ecosphere. This discussion examines the influence of realism and authenticity, as well as naturalism, on our conception of nature. The documentary Blackfish is one such film that explores the coexistence and activities surrounding the whale family. Whales are an important symbol of the natural world, and their interaction with humans indicates the existing attitude of humans towards the natural world in general. Jane Desmond's thoughts, which have affinities with species industries, offer a compelling approach to this ecocritical response. Analysis of the documentary Black Fish reveals an obstacle and intense disjunction or opposition to ecocritical theory. However, an ecocritical analysis or theory, so to speak, is essential in modern society, particularly in modern Western society, in parallel with the growing need to examine the treatment of environments at a time of strong expansion of the tourism industry (Desmond 2013). Furthermore, there could be three propositions in this film; one is that exploiting the financial gains from the performance of live wildlife could lead to chaos or, in the worst case, death, as evidenced by the death of the trainer. Tilikum, the Sea World whale, is held in captivity in Orlando, Florida. Unfortunately, three people, including two trainers and a man who apparently trespass on the SeaWorld, Orlando property. Tilikum drags Brancheau, one of the coaches, into the water while performing one of the live shows. Although the Health and Safety Administration fined Orlando Park, the statement released reversed the Administration's findings. This is a true representation of capitalism; two, the experience has already detached itself from nature and, finally, performances can ultimately be meaningful and communicable but, on the other hand, be catastrophic (Desmond 2013). Clearly, the killer whale's captivity for a live performance transforms and reveals a chaotic situation. nature of such animals (Desmond 2013).