Since the first caveman paintings we have always been ready to record and capture events that have some meaning for us. There were always developments and inventions of mediums that aided in his process. However, with the invention of the camera, documenting events has changed significantly as photography appears to be the best medium. “Capturing Different Realities” takes a look at the documentary photography of 20th century artists and how their photographs helped the growth of documentary photography and morphed into what we now call “documentary photography.” In addition to the general understanding of Caemra's ability to document reality, the exhibition will simultaneously evaluate and question prized photographs, from large photographs to questions, and understand the aesthetic value of photography, their artistic expressions to deepen its value as a work of art. The exhibition focuses mainly on documentary photos of famous artists of the 20th century. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an original essay Some artists in this exhibition have taken a broader approach to documentary photography or to reality even with reality itself, and have chosen to let their creative forces influence their documentary process and stage some photographs. However, humanist artists strongly contradicted the idea of ​​these fabricated photographs, supporting the idea of ​​direct photography in which the photographer only plays the primary role of observer. In addition to these ideas, some artists have been able to form a strong connection with his subject that manifests itself through strong images that are often hidden from our sight and go beyond our imagination. Despite the diversity, these artists and these photographs are meant to document certain events that are happening, while also documenting a broader mindset that can be found in the finite world of documentary photography. After all, using artistic freedom to express a potential scene also documents the world inside the photographer, which is very similar to sharing what the photographer has experienced and witnessed. So, these contradictory differences in approach within documentary photography make for a very interesting and powerful exhibition that helps us give definition to documentary photography. Furthermore, access to the formal aspects and excellent use of the medium gives us an interesting insight into why he also exhibits boarding works of art. as well as questioning the photographs. So the exhibition took the liberty of looking at this at the artistic possibilities within documentary photography alongside the aesthetic experience that the photographs created. The exhibitions feature works by master photographers who have truly helped shape the world of documentary photography. Artist Robert Capa, Henri-Cartier Bresson, Brassaï (Gyula Halász), Vivian Maer, Robert Frank, , Mary Ellen Mark, Arthur Fellig, Cindy Sherman. First of all, Endre Erno Friedmann (October 22, 1913 - May 25, 1954), best known as Robert Capa, was born in Hungary. He is considered one of the greatest war photographers. He was able to document the Spanish War, the Second Sino-Japanese War, World War II throughout Europe, and much more. It was during the Spanish war, in 1936, that he took the most famous photo of the "Falling Soldier" with his 35mm camera. Understanding the need and importance of documentary photography, he later co-founded Magnum Photos, the largest photojournalism organization in the worldtogether with his good friend Henri-Cartier Bresson in Paris. Although he was a co-founder of a photojournalist organization, his photograph of the "Falling Soldier" later came under intense scrutiny as some believed it had been staged. However, even though it may have been a simulated photograph, it can be considered a documentary as it is not uncommon for welders to fall on the battlefield as casualties of war. Being able to reproduce this in an image with the use of artistic freedom documents the possibility of a soldier falling as a casualty of war. Capa famously said "if your photos aren't good enough, you're not close enough", unfortunately while trying to get close to his subject he stepped on a mine, which killed him making him a casualty of war. Henri Cartier-Bresson (22 August 1908 – 3 August 2004), born in France into a wealthy merchant family, was a French humanist photographer considered a master of candid photography. At a young age, Cartier-Bresson was given a brownie box, a small Kodak camera with which he took photos of his family members. However, after seeing “Three Boys on Lake Tanganyika” by Martin Munkácsi, he was inspired by the spontaneity of photography and began to take photography seriously and began photographing everyday life as a humanist photographer. However initially, inspired by his painter uncle, he began his artistic journey as a painter. Trained under Andre Lhote, who worked with Pablo Pisacco as a Cubist painter, Cartier-Bresson learned most of his geometric implications from the Renaissance paintings his master had rigorously replicated. Along with his training, he had the privilege of visiting a café where surrealists held meetings, which greatly influenced his photography. The Picnic on the Banks of the Marne, taken in 1938, which he shot with his 35mm Leica Rangefiner, shows his vision of geometry and the influence of surrealism. Cartier-Bresson had begun to devise a completely new style and focused on the daily lives of ordinary people. In 1932, at the age of 24, his images of ordinary men and women in France, Spain, Italy and Mexico began appearing in publications and on gallery walls. Robert Frank (born November 9, 1924) is a Swiss-American photographer who is still active even at this age. He is most famous for his remarkable work, The Americans, in which he documented the daily lives of Americans and opened up the side of America that was adequately hidden from the world. One of the reasons he was able to document American life in a different light was because he was not American and was not indoctrinated into American culture. Frank originally came to the United States as a fashion photographer for Harper's Bazaar and was very optimistic about U.S. society and culture. However, the inability to exercise his freedom in his photography, along with cultural differences, the fast pace of American life, and the materialistic mentality of Americans, meant that Frank often saw America as “a bleak and lonely place.” . His photograph taken in 1955, "Businessmen working on briefcases on their laps during commutes aboard the Pennsylvania afternoon convention," explains his thoughts. which was evident in his photographs. This earned Frank com. Vivian Dorothy Maier (February 1, 1926 – April 21, 2009) was an American street photographer famous only after her death. A Chicago collector, John Maloof, acquired some of Maier's photos in 2007, while two other Chicago-based collectors, Ron Slattery and Randy Prow, also found some of Maier's prints and negatives in his.