The Passion of the New Eve, with its focus on gender crossover and gender performativity, has been read as a preview of developments in queer theory. This essay will examine how the novel explores the idea of ​​gender as a social construct. To do this, she will also discuss the concept of gender as performative and draw inspiration from feminists such as Judith Butler, Simone de Beauvoir and Jeanette Winterson. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an original essay In his 1923 article “Ulysses, Order and Myth,” T. S. Eliot hailed James Joyce as the inventor of the “mythical method,” stating that “Joyce's parallel use of the Odyssey is of great importance. It has the importance of a scientific discovery.' This draws on the tendency of writers to borrow from ancient myths to rewrite the world for their contemporaries. To a certain extent, Carter does this herself when she writes texts such as the collection The Bloody Chamber, in which she rewrites fairy tales, turning them upside down. However, because Carter regards all myths as "extraordinary lies designed to make people unfree," she identifies herself more generally as "in the business of demythologizing." This can be seen in The Bloody Chamber in the fact that although it borrows from old fairy tales, it turns them upside down and rewrites them from a completely new perspective. In The Passion of New Eve, one could argue that Carter demystifies the concept of gender as it is commonly known and understood by the mainstream. The novel addresses the delicate issue of gender confusion, the study of identity and self-discovery. In The Passion of New Eve, Carter identifies the fact that gender is viewed through a Western phallocentric lens and discusses issues of male/female dialectics. She challenges the social norms of the gender binary by promoting a more enlightened idea of ​​gender identity, linking it to psychological and emotional factors rather than the physical characteristics that usually assign people a gender at birth. Sigmund Freud in his new introductory lectures on psychoanalysis mentions 'when you meet a human being, the first distinction you make is 'male or female?'' It is therefore possible to make a binary distinction with 'without hesitation' or gender and sexual identity are they more performative than visible? There is no doubt that there are physical differences between the sexes; this is not up for debate. But it is almost certain that gender and biological sex are not the same thing, and research on this topic increases every day. Judith Butler argues that gender 'is the repeated stylization of the body, a set of repeated acts within a highly rigid normative structure that solidify over time to produce the appearance of substance' in her book Gender Troubles. In her The second sex, Simone de Beauvoir says: "A woman is not born, but one becomes." Angela Carter seems to agree with these writers when she challenges and ultimately seems to reject the norms of the gender binary. "She works in a constructed gender as the antithesis between rationality and reason" and this lends itself well to the representation of gender and sexuality in The Passion of a New Eve. Angela Carter is "critical of the conceptual simplifications inherent to these binaries because they presuppose the assumption of universal concepts or " natural" of "woman" and "man", and thus tries to "deconstruct this discourse by denaturalizing the "woman". Instead, transforming "woman" and "man" into interchangeable entities in his novel. This is visible both in the character of Evelyn/Eva and Tristessa, and to some extent also in the secondary characters. Simone de Beauvoir calls women the "second sex" and with.