Robert Consumes composed the sonnet "A Red, Red Rose" in 1974 with every wide assortment of conventional Scottish melodies, accompanied by a good soundtrack. Consumers needed this sonnet, as well as the others, to imagine themselves possessing the largest crowd imaginable. The red rose could be an image of affection. The sonnet of Consume was awakened by the Scottish melody and in this way the songs distributed by the sum. The sonnet "A Red, Red Rose" describes the speaker's adoration for his loved ones with beautiful, unreliable imagery. Consumes composed his first sonnet at the age of 15, it was called "Attractive Nell" and was about his past adoration of a woman named Nellie Blair. Consumes composed several famous love sonnets, including "A Red, Red Rose" and "One Affectionate Kiss." Consumers began to fascinate Mary Campbell and thought about toiling with her in the Caribbean. The writer was a man of extraordinary astuteness and a pioneer of sentimental development. Consumers have different types of abstract procedures that have drawn extensive impact from English writing, the Book of Scripture, and later from the Scottish English language. Through the work of allegorical language, the writer shows his greatness of warmth. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an original essay The main artistic strategy is a metaphor/the reiteration of consonant sounds within a similar line in light of the fact that the sound of /l/ and /r/e enjambment to the continuation of a phrase immediately after the tip of a couplet or refrain. There is evidence of comparisons within the main chorus to the road of 'O my Luve is kind of a red, red rose'. Furthermore, 'red' could be a shade of enthusiasm, to attribute the color to 'pink' twice in a higher column a strong measure of energy to the feeling, in this way, the color must be reworked. The third line, “O my adoration, is much the same as the melody.” The writer contrasts his affection and a sweet song. The job of a metaphor is to coordinate an object or someone with another thing to make the implications clear to the reader. Consuma uses a likeness to coordinate the extent of his affection for her by contrasting her with the beautiful things in the world. In addition to the idea of ​​the 'rose', the narrator links his 'Luve' to the 'newness' of June and to a 'song sweetly played in order'. The connection is rekindling to the point that he feels recharged during that sort of mid-year day and a tune is an important part of his life as his “Luve” is “sweet” and phenomenal. With each new thought dropped into the new verse, it seems as if the narrator is trying to discover a technique for dealing with the totality of his “Love.” An illustration is another academic method. Consuma uses a lot of images and in this sense the idea that it portrays love and delicacy over time. His adage love and miracle are delicate because they exist in time. Consume said at the end of the third verse the "sand of life" verse. Consuma analyzes the range of our lives to show the sands of an hourglass and Consuma compares our lives to the flowing sands of an hourglass, Consuma inspires the very reality that, at one point or another, our time on earth will end, a bit like sand in an hourglass. Regardless of how intense the speaker's affection is for the loved one, his or her adoration also closes. Metaphor is another academic strategy that Consume uses to exaggerate the expression of his affection. The essential exaggeration in the next verse. ' and that I will love you.